(via suicideblonde)
Faye Dunaway on the set of Bonnie & Clyde (1967, dir. Arthur Penn)
“Never have I felt so close to a character as I felt to Bonnie. She was a yearning, edgy, ambitious southern girl who wanted to get out of wherever she was. I knew everything about wanting to get out, and getting out doesn’t come easy. But with Bonnie there was real tragic irony. She got out only to see that she was heading nowhere and the end was death.
There was a real kind of fierceness I’d seen in Bonnie that I recognized in myself as well. You look at photos of her and see it in her eyes, the set of her jaw. It takes fierceness in life to get ahead. I already knew that. Bonnie was Tennessee Williams, Cat on a Hot Tin Roof time. She knew the only way to get what she wanted was through her own sheer force of will. She was driven by her own desire. I know that territory - you do whatever it takes. She wanted to be something special, something out of the ordinary.”
(via)
Readers seeking to identify the fictional people and places here described would do better to inspect their own communities and search their own hearts, for this book is about a large part of America today.
— John Steinbeck’s foreword to Winter of Our Discontent, published in 1961.
These bears are, in fact, both Blackbears. But how, you ask?
(via loveforallbears)
The caboose of Bon Iver’s new month-old-today music video? A cablackbear.
tree
truth
THIS IS THE EXACT POSITION I SLEEP IN. I thought I was alone.
Good Lord! This is exactly how Blackbear slumbers. Curious.
semiotic sandwich
(via s4tiva)
